Artist: Sally Ann Johns

Click on images to enlarge. Size includes any frame.

Barnowl M00o93H7pQ09L8X1t49cHY01Z5j4TT91fGfr Artist Painter Union Art Gallery Edinburgh Scotland UK

'Barnowl'
Pastel & Gold Leaf on Board, 90cm diameter
Sold

Bluebird M00o93H7pQ09L8X1t49cHY01Z5j4TT91fGfr Artist Painter Union Art Gallery Edinburgh Scotland UK

'Bluebird'
Pastel & Gold Leaf on Board, 65cm diameter
Sold

Finch M00o93H7pQ09L8X1t49cHY01Z5j4TT91fGfr Artist Painter Union Art Gallery Edinburgh Scotland UK

'Finch'
Pastel & Gold Leaf on Board, 32x32cm
Price: £420

Kingfisher M00o93H7pQ09L8X1t49cHY01Z5j4TT91fGfr Artist Painter Union Art Gallery Edinburgh Scotland UK

'Kingfisher'
Pastel & Gold Leaf on Gold, 32x32cm
Price: £420

Little Owl M00o93H7pQ09L8X1t49cHY01Z5j4TT91fGfr Artist Painter Union Art Gallery Edinburgh Scotland UK

'Little Owl'
Pastel & Gold Leaf on Board, 32x32cm
Price: £420

Little Owl 2 M00o93H7pQ09L8X1t49cHY01Z5j4TT91fGfr Artist Painter Union Art Gallery Edinburgh Scotland UK

'Little Owl 2'
Pastel & Gold Leaf on Board, 32x32cm
Price: £420

Owl M00o93H7pQ09L8X1t49cHY01Z5j4TT91fGfr Artist Painter Union Art Gallery Edinburgh Scotland UK

'Owl'
Pastel & Gold Leaf on Board, 65cm diameter
Price: £850

Puffin M00o93H7pQ09L8X1t49cHY01Z5j4TT91fGfr Artist Painter Union Art Gallery Edinburgh Scotland UK

'Puffin'
Pastel & Gold Leaf on Board, 32x34cm
Price: £420

Woodpecker M00o93H7pQ09L8X1t49cHY01Z5j4TT91fGfr Artist Painter Union Art Gallery Edinburgh Scotland UK

'Woodpecker'
Pastel & Gold Leaf on Board, 32x32cm
Sold

Personal Statement

The mysterious iconography of the Catholic and Apostolic Church has been inspiring my work for many years.  Each piece of work consists of one image, isolated and surrounded in golden leaf.  Then the work is displayed in its own beautifully hand-crafted case, a simple drawing becomes a precious artefact. 

My drawings are less to do with a realistic representation or portrait, than with creating a visual prayer.  I allow each image to stand alone, surrounded by the constantly changing light that reflects around it.  The images are not what you would typically call holy or iconic, the animals are simplistic, sometimes flawed; the portraits are often dark or haunted.

I don’t polish them or look for perfection; I leave them in their reflected light.  I intend to demonstrate the ordinary to be extraordinary and leave each one as perfect in its imperfection.

CV

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