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My interest is primarily in recording my subjective responses to places, buildings, things and people.
The subjects which appeal to me most are places which are in some way hidden or mysterious: one of the central functions of art for me is the revealing of secrets. Cities which are seldom visited or the places off the tourist circuit hold more interest to me than more obvious sights, and I love to use art as a form of, and motivation for, exploration. Similarly, I love to use portraiture as a way of studying people in their environments, attempting to show their inner lives.
I see my work in the line of both travel painter-diarists such as Edward Lear or Turner, and expressionist painters such as Bonnard or Joan Eardley: I have a little portable kit with which I can easily transport materials and wet paintings.
I have a daily routine of producing postcard-sized or even credit-card sized paintings on card. These are painted plein-air using oils.
The idea of being a sort of itinerant, travelling painter, a la Turner, is one that I find immensly appealing, combining as it does the roles of explorer, artist and holidaymaker. I intend to spend a considerable amout of time in the future pursuing longer and longer trips. Next I shall go to the UK, after that I’d love to visit the USA again, Chile, Iran, the Caucuses, Japan and more of Brazil.
I currently live in Florianopolis, in southern Brazil, but I often travel, usually to Europe or within Latin America.
1986 - 1991 Edinburgh College of Art